The History of Jazz Has Instantly Expanded

The History of Jazz Has Instantly Expanded

Like just about every major tenor saxophonist of his generation, Henderson was influenced by Coltrane, but Henderson absorbed that influence and transformed it into a mark of his own originality. He took on essential elements of Coltrane’s sound—the long low-note honks and growls and high-pitched screeches and wails—and he was inspired by Coltrane’s vehemence, how…

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Is the Ticketmaster Monopoly Verdict a Mirage?

Is the Ticketmaster Monopoly Verdict a Mirage?

Gallagher’s profane monologue went viral on account of its absurdity—four people on payroll to brew a single cup of tea? But the rocker’s screed contained a truth, one that has substantially shaped the contemporary ticket-buying panopticon. After listeners drifted away from buying physical releases such as CDs and vinyl, starting in the two-thousands, touring has…

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The Art of the Fictional Pop Song

The Art of the Fictional Pop Song

Then again, an especially good fictional song can come to feel more real than its story of origin. Lustra’s pop-punk cuckoldry anthem “Scotty Doesn’t Know” has detached from the raunchy teen comedy “EuroTrip” (2004) and taken on a life of its own, as has the impossibly infectious title song from “That Thing You Do!” (1996)….

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Noah Kahan Makes an Unlikely Home-Town Hero

Noah Kahan Makes an Unlikely Home-Town Hero

In 2023, Noah Kahan, a singer and songwriter from Strafford, Vermont, leapfrogged to superstardom following the release of “Stick Season,” a COVID-era LP full of claustrophobic, lovesick folk songs. Kahan has a soft, nasal voice—more Simon than Garfunkel—and he uses it to eulogize relationships that falter for reasons both intentional and incidental. If its instrumentation…

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Mad About the Mandolin | The New Yorker

Mad About the Mandolin | The New Yorker

Calace, I discovered, was a Neapolitan workshop that had been making mandolins since 1825, and Raffaele Calace, the grandson of the founder, had been the greatest composer for mandolin in the late nineteenth century. But his music was quite different from the pieces that Paolo introduced me to over the next year, all of which…

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