Sam Miller

“The Christophers”: A Review of Steven Soderbergh’s New Drama

“The Christophers”: A Review of Steven Soderbergh’s New Drama

Once Lori enters Julian’s home, the film springs to life. So does Soderbergh’s camera, which begins sniffing and roving about the space like a dog unleashed. Our curiosity is awakened by the meticulous clutter of Antonia Lowe’s production design—walls covered with framed portraits and newspapers, shelves of knickknacks, spatters of paint everywhere—and, most of all, by…

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