Oneohtrix Point Never’s Sense of the Uncanny

Broadway Even amid Broadway’s queer renaissance, Richard O’Brien’s “The Rocky Horror Show” stands out as a transgressive blast. Luke Evans is a gloriously seductive Frank-N-Furter; Josh Rivera an adorable Rocky; Amber Gray a sharp Riff-Raff; Michaela Jaé Rodriguez a sweet Columbia; and Stephanie Hsu a spicy standout as Janet, wriggling with horndog virtuosity through “Touch-a,…

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The Calculated Uplift of “I Swear”

The Calculated Uplift of “I Swear”

John Davidson’s story has been told in several TV documentaries over the past few decades, starting with a 1988 episode of the BBC series “Q.E.D.,” titled “John’s Not Mad,” which has been credited with doing much to educate the British public about Tourette’s. (Oliver Sacks, one of the episode’s prominent voices, offers a precise, sympathetic…

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In Marie NDiaye’s Spellbinding New Novel, Witchcraft Stays in the Family

In Marie NDiaye’s Spellbinding New Novel, Witchcraft Stays in the Family

Witchcraft was traditionally a form of occult knowledge: esoteric, hidden, available only to initiates. Now, though, with the widespread circulation of magic manuals, grimoires, and related compendia—with the recording, on paper, of words, spells, histories, stories—witchcraft has taken an irreversible step into the exoteric realm. The chain through which it once passed, from trusted person…

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“The Christophers”: A Review of Steven Soderbergh’s New Drama

“The Christophers”: A Review of Steven Soderbergh’s New Drama

Once Lori enters Julian’s home, the film springs to life. So does Soderbergh’s camera, which begins sniffing and roving about the space like a dog unleashed. Our curiosity is awakened by the meticulous clutter of Antonia Lowe’s production design—walls covered with framed portraits and newspapers, shelves of knickknacks, spatters of paint everywhere—and, most of all, by…

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