‘Two Prosecutors’ review: Timely lessons in authoritarianism from another era
p]:text-cms-story-body-color-text clearfix”> In Sergei Loznitsa’s new drama, stairwells are sinister. Hallways hum with invisible menace. The primary colors are drab grays and ugly browns. Faces are unsmiling. And the doors are always locked. There are many ways to portray authoritarianism, but “Two Prosecutors” is penetrating in its depiction of a society being slowly poisoned. The…
